Experimental Filmmaking for Dummies (Part 1): Why You Should Be Making Experimental Films
Nov 04, · Steps 1. Choose the type of camera or cameras you will film with. You may have access to a VHS camcorder, an 8mm movie camera, 2. Find people willing to work with you on your film. You may decide to work without a script, or even actors, but you 3. 27%(30). Jun 07, · Today I contemplate the best way to get an "A" Grade on my Experimental Film Final, and think about how to incorporate Foucault into an art project. The hard.
Here at NFS, we've covered experimental films from time to time, sharing details on how they're made and things of that nature. Last month we even shared a delightful, albeit brief, history of experimental cinema that touched on a few of the core concepts and definitive filmmakers of the genre. Despite these brief forays into the avant-garde, however, we've never actually talked about making experimental films.
Until now, that is. In our new series, "Experimental Filmmaking for Dummies", we'll explore not only the multitude of reasons why every filmmaker can benefit from experimental filmmaking, but also how to get started with making shorts in all of the most popular experimental sub-genres. Stick with us on this one. It'll be a fun ride. Experimental film is difficult to define, not because its guidelines are so abstract or even esoteric, but because it's such a wide-ranging genre that defining it almost defeats the purpose of the genre itself.
In one sense, it refers to anything that defies the conventions of traditional narrative and documentary cinema. It doesn't have to tell a story. There don't have to be characters.
There doesn't even necessarily need to be a message how to masterbate with toothbrush any kind. It can be visceral or mundane, engaging or a complete bore. It can be highly personal or overtly political.
It can be literally anything. On the other hand, experimental film is an aesthetic and aural art form. All films have elements of photography, music, painting, dance, etc.
However, narrative and documentary films don't necessarily use all of these artistic elements to their full potential; they're more focused on creating an enhanced sense of narrative reality than creating pure aesthetic art. With experimental films, however, the extent to which these elements can be mixed and manipulated to evoke or portray emotion or ideology is infinite. As a result, experimental filmmaking is an absurdly powerful artistic medium that can be matched by few, if any, other art forms in terms of pure expressionistic potential.
If that's not reason enough to get started with this fantastic genre, here are a few more of its copious benefits. There are numerous reasons why you might want to make experimental films how to make an experimental film or instead of narrative and documentary films.
These reasons are varied, and there are certainly more than I can list and write about here. But the following reasons should give you a basic sense of why experimental filmmaking might just be one of the most beneficial things that you can do as a filmmaker. Creative Freedom: First and foremost, this type of filmmaking is one of the most creatively freeing things that a person can do.
Narrative filmmaking, like it or not, is all about restraint in what you show and how you show it. Even the narrative films that break away from convention are subject to the idea that every image and every sound needs to be in service of the story and the characters.
With experimental filmmaking, however, you're free to throw any and all restraint to the wind and make creative decisions that would be "unacceptable" in the world of narrative film. You can express emotions, ideas, concepts, and literally anything else through literal or abstract imagery, through juxtapositional editing, through creative use of sound design.
You can disregard the technical, and focus solely on the creative. Spontaneity: In narrative filmmaking, it's difficult to be truly spontaneous.
When time is money, which it always is in a narrative environment, people tend to stick to the schedule and get the shots they need to tell the story. This isn't a bad thing in the slightest, but it's not conducive to creating art, which requires at least a certain amount of spontaneity. With experimental filmmaking, creative decisions can be well thought out choices made prior to shooting, or the shooting can be a spontaneous act of expression in and of itself.
When you're not burdened with schedules and shot lists, and the AD isn't hassling you to get the next shot set up, you are free to make creative decisions as you see fit, right on what to in albuquerque new mexico spot. Personal Expression: Narrative filmmaking, by its very nature, is a collaborative craft. In order for narrative films to be made properly, it takes dozens if not hundreds of individuals, each with a specific role in what does normal discharge smell like production of that piece.
Even though we still promote the idea of the auteur in how to work out btu requirements current filmmaking climate, pure personal expression is nearly impossible in an environment where hundreds of unique voices coexist.
Don't get me wrong, creative collaboration is a fantastic thing, and it's the best way to make narrative films, but it can be detrimental to the idea of the personal art. Experimental filmmaking, however, offers filmmakers the ability to express whatever the hell they want, in any way they want. Your cat just died and you're all torn up inside? Make a film about it. Girlfriend dumped you for a guy named Chad? The point is that making films like these can be both cathartic and productive, and oftentimes the process of making the film can help you resolve, or at least gain perspective about whatever issues you might be going through.
Social Expression: A good many narrative films have cultural, social, political, or religious undertones implicitly stated through narrative conventions. However, when tremendous amounts of money are on the line, investors and EPs tend not to want their finished how to make an experimental film to be political or religious statements due to the fact that those types of films alienate audiences, which is the last thing you'd want to do in the pursuit of making a commercially successful film.
Just like the previous section, experimental filmmaking allows you to focus your creative efforts squarely on the statement that you're trying to make with your film, without any of the back and forth politics that come with narrative filmmaking.
If you want to make films about your displeasure with the US Congress, then you can make the most scathing critique known to man. That's your prerogative as an experimental filmmaker. Creative Betterment: With experimental filmmaking, anything and everything is possible. You can try things with the camera that you would never think to do on a narrative set. In the editing room you can stack, manipulate, and composite video to your heart's content.
You can create the most mundane or insanely abstract images and sounds and re-arrange them in any way you see fit. When you have no creative restrictions, you're more likely to try new things and, well, experiment. It's through this experimentation that you can begin to bolster your creative toolset, and create and master techniques that you may be able to incorporate into your narrative and documentary films. Defining a Unique Cinematic Voice: It might seem fairly cynical of me to say this, but how to hunt ruffed grouse narrative films these days are all strikingly similar to one another in terms of their style and how to read ammeter scale they offer the audience in an artistic sense.
Most of us grow up watching and studying the same films, and when it comes time to make our own, we draw from the same cinematic vocabulary that most other filmmakers are using. The result is relative conformity. In my opinion, that's what makes filmmakers such as Steve McQueen so successful and prevalent today. As someone with a background in fine art and video installation art, McQueen has forged a unique style and perspective that has allowed him to take the narrative filmmaking world by storm with his three features.
No one is making films like McQueen, and that can be at least partly attributed to his early career as an experimental filmmaker and artist. In the same vein as McQueen, you how to make chocolate stirrers begin to develop your own unique cinematic voice through an exploration of and involvement in experimental filmmaking. There Are No Wrong Answers: In the world of narrative and documentary cinema, there are definite guidelines as to what constitutes a good or a bad film.
Whether or not a film is good or not all depends on the writing, the directing, the acting, the cinematography, the editing, the sound, and so on. With experimental cinema, however, these "restraints" can be tossed out the window because expression is the primary purpose, not technical perfection.
This might sound like a cop-out, and to a certain extent, it is. With that said, just because the primary goal of this type of expression doesn't mean that we should be sloppy in the technical aspects of making these films. However, technical knowledge isn't a prerequisite for experimental filmmaking. There are no major barriers to speak of.
You don't necessarily need a camera or an in-depth knowledge of After Effects. The only thing you really need to get started is an inherent desire to create and express yourself. Experimental filmmaking is a world all its own, and it's one that is often overlooked by the majority of filmmakers these days.
It certainly shouldn't be, though. It's a unique and powerful art form that provides countless benefits beyond the fact that it allows us to be artists in the truest sense of the how to make poppy cake decorations. In order to get you guys even more stoked about making experimental films, here's one of the greatest of all time, Maya Deren's Meshes of the Afternoon:.
In our next article, we'll talk about the easiest way to get started with making experimental films, the "found footage" film. What do you guys think? Do you have any experience with experimental filmmaking? If so, what did you think of it, and what were the benefits or disadvantages of that experience? Let us know in the comments! This is awesome. I've been wanting to create some experimental work, exactly for the reasons you stated—namely to grow creatively. Looking forward to the rest of these articles.
Post some links to your experimental work, Robert! Thanks David! Hopefully this series will do just that, help people grow artistically and create work that is unique to them. I'm also hoping that we'll all be able to share the work that we're making and discuss it and critique it and help each other grow as artists.
Here's a link to one of my favorite pieces that I made in film school. Let me know what you what are staples business hours Experimental filmmaking is like abstract art. Some people love to stare at an ink stain and wonder what it means. Most people just see an ink stain and move on. Ultimately, the art form has more meaning for the maker than the viewer.
Having gotten my filmmaking degree from a film school notorious for its experimental film emphasis, having studied reels and reels of experimental films, and having directed the university's film festival which was awash with experimental films how to pickle hot peppers in vinegar, I can credibly say that most experimental filmmaking, to me, feels like amateur work in the guise of avant garde profundity.
Yes, Meshes of the Afternoon and other works containing some sort of narrative arc can be enlightening. I appreciate those experimental films. However, the "filmmakers" who shoot out-of-focus, under-exposed, dual-exposure, mirrored-imaged random stuff with no structure whatsoever? Well, that's another story. I think you have to look at experimental film with more of an "art" perspective than a traditional "film" perspective.
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May 01, · We're on facebook: nicedatingusa.com have a twitter: nicedatingusa.com us out on tumblr: http://missionaccom. Make an experimental film +4 XP. Medium. Quick. Your Challenge. Use the app to shoot something weirder than anything ever before seen. 4 Experience Points. Filmmaking +4 xp. Gallery. Posts. Photograph a Landscape Draw a Food Monster Make Fluffy Slime Build a Catapult The 30 Day Project Introduce Yourself in Another Language See More. Jun 13, · It takes an incredible amount of time, effort and skill when you’re trying to make an experimental film with your crew, and you trying your gosh darnest to make them understand what you’re trying to convey in it. Back in , I made an experimental film .
What I failed to understand during the briefing few days ago is that, it is basically an exercise of tapping into the rawest concept or form of storytelling, such as:. These are some of the questions that I have to answer before, during and after the production. And to find the answers or something that is close to it , was the most difficult part of this assignment.
When I look back at it, I realise that I have spent more time trying to get my team and the actors in it, to understand the whole point of the story.
I am actually quite lucky to be able to work with an actress who is also my friend back in Malaysia that has an amazing ability to understand what I want, in terms of performance. She managed to pull it off, despite having trouble understanding the story. To explain something succinctly is a skill that I believe all filmmakers need to own in their filmmaking arsenal, especially during the pre-pre-production session. But, it is not an easy skill to acquire.
Sounds easy, but it is quite hard to pull off. And that is part of creative process that I recently and deeply appreciate, especially in producing an experimental film. In this trimester, I plan to get back to experiment with styles as I did years ago, but with more thoughts and planning ahead. In this trimester, I will not only inspire my fellow emerging practitioners to produce my film, but to also be able to make them understand the point of it all.
In this trimester, I will not care much about breaking the established rules, but care more on establishing my own rules, my own style of filmmaking ad infinitum. In this assignment or project, we have given a task to produce and edit our experimental film within six hours. During the production however and this is might sound counter-productive and counter-intuitive , I took a step and let everyone else drive it forward. Two reasons why I did so:.
During the visual stimuli test, it seems like nothing came out of it, and the main reason is that, we were concentrating on looking directly at the camera, and not at the screen. The second test we did, have more interesting results. At post production, we hit a stump. Luckily for us, Hayden Rossiter are very familiar with experimental editing and decided to form something out of it, instinctively. Once we got that gear going, I slow-dripped albeit minorly a somewhat of a thread of a story to Rossiter as he edits it.
Bottomline, I give my input where I feel it is needed and step away when I feel it is needed. All in the name of experimenting. Not just with the production itself, but with my own working methods. But I love the end result. We were given only 6 hours to produce this plus another two hours to complete. Not patting ourselves on the back or anything, but overall, I think my group members have done really well together to come up with this.
If I do have to nitpick, it would have to be the shots itself. Some of it are not fully centered and we moved too much in those shots.
Due to that, some of the extreme close-ups of the eyes felt a bit disjointed in comparison to the rest. Another thing that I would to nitpick is the focus issues. Some of the shots are not properly focused and the attention is drawn to the nose instead of the eyes. I am actually disappointed at myself for not noticing it sooner. Again, these are just minor nitpicks. Plus, we only have 6 hours, and it is unrealistic for me to expect a polish AAA quality production out of that.
Overall, my feeling for this project and my group members are nothing but positive. I am completely motivated and happy to be working with them throughout this trimester. It seems as if this process was very valuable to you and a great learning experience. Like Like. You are commenting using your WordPress. You are commenting using your Google account. You are commenting using your Twitter account.
You are commenting using your Facebook account. Notify me of new comments via email. Notify me of new posts via email. Critically reflect in a word blog post and address the following themes in your discussion: What was the most difficult part about the assignment for you and why?
Jodorowsky experiments by combining grotesgue and Christianity imageries in this film — The Holy Mountain I was wrong. What I failed to understand during the briefing few days ago is that, it is basically an exercise of tapping into the rawest concept or form of storytelling, such as: What emotion do you want the audience to feel, when they see your film?
Do you want them to feel anything? Do you want them to feel everything? How about making them feel nothing? Do you even want to make that film for an audience?
Why not make that film for yourself? Do you even need structure to tell a story? Can you tell a story without any structure?
Can you tell a storyless story? Late 70s was quite an interesting time for experimental films — Eraserhead Q: What part of the creative process in Experimental Cinema do you think you have a new appreciation and understanding for?
And they still do not understand what is the whole point of the story. It takes more than just obvious signs and symbols to propel your story forward. Q: How do you think you can use this new insight you have gain in your own style of filmmaking? A collection of my old works. I love what I have accomplished and done.
I need to be the Creative Creature that I once was. Two reasons why I did so: I want to see what everyone is capable of and, I want to see what happens if I do so. This is what we came up with in the end:. Share this: Twitter Facebook. Like this: Like Loading Clearer, calmer mental state is needed. Leave a Reply Cancel reply Enter your comment here Fill in your details below or click an icon to log in:.
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